I work completely intuitively, I do not have a concept, Harry Gruyaert As a street photographer myself, I’m always working towards making fine art out of street motifs that rise and fall in the streets of Berlin. I do look for subjects, colour schemes, compositions, but I don’t limit myself Read More …
A picture is nothing but a bridge between the soul of the artist and that of the spectator — Eugène Delacroix Time is like the weather, you have to constantly watch it as it changes, morphs, and stretches into its surreal combinations of drenching, drying, blowy atmosphere. Clouds shift across Read More …
If I knew how each street shot would turn out — I wouldn’t take the shot. When I look around myself, I always seem to catch a glimpse of something bright, a crack of light that needs my attention. Image by Author You see something happening and you just know Read More …
The street is full. A cop car pulls up to the lights, my camera is at chest height and I peer above the roof of their vehicle. I’m standing on the curb. On the opposite side of the street I see a structure of shadows punctuated by spears of light. Two Read More …
Summer in Berlin is prime-time for Berlin Street Photographers. The beautiful morning sunrise, evening sun sets. That special light that can be seen and experienced during the last moments leading up to twilight. As the sun drops behind the houses. You have to shift your feet along the streets to Read More …
Black and white photography is a favourite for street photography for several reasons This might convince you to have a go at taking black and white street photographs. Image by the Author One reason is that deep gut feeling that somehow, black and white photography has that inherently poetic value Read More …
I like to keep post processing as simple as possible – I want the photo to be an in camera shot. That’s not always the case, and sometimes I have a shot that was a little off kilter, or an annoying object imposed on the whole composition. Something in a Read More …